“Yeah Studio” being my Earth spaceship, always helps me, explore the world and some interesting stuff. After that, turning these experiences into many multi-faceted stories, which will be presented to the public and for those who adore also possess. I wonder to leave my footprint and record every step of my short life. If you hear this message, please try to remember me and get on my ship enjoying together… #$%^&*… I create a new and mind blown universe…
以「無臉」示人,談「男女」之事。無臉男女是分享影視劇集為主的插畫文章,以主題式的圖文與讀者一同反思影劇帶給我們的人生課題。命名為「無臉男女」,主張影劇角色沒有特定面孔,我們之所以會隨著劇情而哭而笑,是因為將自己或身旁的人事物帶入角色。透過每週一篇的插畫文章,希望讓每位讀者或許感動或許會心一笑,或許知道了一部好影劇而回頭補上。總之,我們並不期盼成為鎂光燈底下閃閃發光的 IP 角色,而是成為讀者與優秀影劇間的溝通橋樑。
My name is Charlene Ling.I have been interested in painting since I was a child, but because of the reality, I went all the way to business and worked as an accountant for two years after graduating from college.Feeling that life could not go on like this, I left everything I had at the time and went to a studio for seven months to learn to paint.Enrolled in‑service education program at the National Taiwan University of the Arts, and has now graduated.Currently, I am still working as an accountant in order to make a living, but in order to have more time to create, I choose to work part-time and continue to work hard to move forward as a professional illustrator.
Her work style is mysterious and surreal. She used to presented in a jumping and obscure way, as well as combined with delicate brushstrokes to convey warmth and inspire a connection with viewers.
而另一位與談者,為插畫創作者『yesterday should be happy』,同樣充滿熱情的她,擅長透過插畫書繪製兒時記憶中,電影中的精彩片段。這些電影片段中,多半為幽默帶有些低俗、兒童不宜觀賞的內容。不過,這些畫面經由她重新繪製呈現後,總帶有復古又時尚的美感,成為人人皆可觀賞之藝術品。『yesterday should be happy』過去也曾與嘖嘖合作,透過募資觸及更多受眾,將她的理念傳遞給更多觀者。
於2006年創立獨立插畫設計品牌-「BaNAna Lin 阿蕉」,並於2017年再度以本名「林彥良」發表全新系列藝術創作。作品多以童趣療癒、幽默詼諧、手感溫度的手繪線條風格讓人印象深刻,從平面繪畫到立體雕塑均有,合作過的單位包括:文化部、交通部觀光局、台灣國立美術館、台南美術館、廣州御溪谷私人美術館、北京芳草地畫廊、台灣設計研究院、日本沖繩伊藤園、日本Loft百貨、華納音樂唱片、春水堂、蘇州與香港尖沙誠品框框眼鏡、法國文化協會…等等。品牌跨界聯名經驗豐富,被媒體喻為非典型創作者。
而另一位與談者,為插畫創作者『yesterday should be happy』,同樣充滿熱情的她,擅長透過插畫書繪製兒時記憶中,電影中的精彩片段。這些電影片段中,多半為幽默帶有些低俗、兒童不宜觀賞的內容。不過,這些畫面經由她重新繪製呈現後,總帶有復古又時尚的美感,成為人人皆可觀賞之藝術品。『yesterday should be happy』過去也曾與嘖嘖合作,透過募資觸及更多受眾,將她的理念傳遞給更多觀者。